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The Wind aka The Edge of Terror (1986)

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‘A terrifying experience…’

The Wind – better known internationally as The Edge of Terror – is a 1986 American horror film directed by Nico Mastorakis (Grandmother’s House; Blind Date; Island of Death) from a screenplay co-written with Fred C. Perry.

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The film stars Meg Foster (Haunted: 333; Shrunken Heads; They Live), Wings Hauser, Robert Morley (Theatre of Blood; A Study in Terror; The Old Dark House), David McCallum (The Haunting of Morella; The Watcher in the Woods; Dogs), and Steve Railsback (Ed Gein; Lifeforce; Turkey Shoot)

The score was composed by Hans Zimmer and Stanley Myers (The Witches; Schizo; Tam-Lin).

Plot:

Novelist Sian Anderson (Meg Foster) travels from Los Angeles to the solitude of Greek island Monemvasia to write her newest mystery book.

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While writing her novel, she witnesses the local handyman Phil (Wings Hauser) murder her landlord Elias Appleby (Robert Morley) and is soon under attack by the crazed psychopath. Meanwhile, a deadly wind continues to blow throughout the night…

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Buy: Amazon.co.uk

Reviews:

“If it’s one thing Mastorakis delivers this time around, it’s atmosphere. Take the Greek locations and quality cinematography, and enrich it with a Hans Zimmer score, and you mostly have a winner […] for an “Old Dark House” thriller-horror, with Meg Foster home alone and Wings brandishing a scythe (!), The Wind is worth seeing.” Comeuppance Reviews

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” …marred by a clunky and sometimes muddled script, a tendency to ham-handedness (both in the dialogue and the way the musical score is used) and a reiteration of many the usual psycho-killer and slasher cliches.” Dave Sindelar, Fantastic Movie Musings and Ramblings 

” …this wasn’t too bad. Hauser made a great baddie, Foster was great as the protagonist, and there was a nice mixture of Hitchcockian and horror elements that made this more than just a bad Lifetime movie type deal.” Direct to Video Connoisseur

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“Aside from the fact that Hauser is the first movie villain to be unhinged by experiences in Nicaragua rather than Vietnam, this is a totally conventional stalker, without even the frills of Mastorakis’ Blind Date (1984) or The Zero Boys (1986).” Phil Hardy (editor), The Aurum Film Encyclopedia: Horror

“The camerawork and editing is good, the setting is skillfully used by the cinematographer and it looks great. Creaky, fluttering shutters and the constant sound of the wind helps to create a nice creepy atmosphere. The soundtrack, by Hans Zimmer, is great.” Jorgen Lundin, Independent Flicks

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Choice dialogue:

Elias Appleby: “I hope I haven’t been too much of a pain in the derrière, dear girl? And I hope you don’t mind me calling you ‘dear girl’?”

Kessner: “He may be a killer but he’s not stupid.”

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Buy: Amazon.com

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Cast and characters:

  • Meg Foster as Sian Anderson
  • Wings Hauser as Phil
  • David McCallum as John
  • Robert Morley as Elias Appleby
  • Steve Railsback as Kesner
  • Dina Giannakou as Elias’ Wife
  • John Michaels and Tracy Young as Newlyweds
  • Summer Thomas as Sian’s Friend
  • Mihalis Giannatos as Policeman

Filming locations:

Los Angeles, California, USA
Monemvasia [spelt incorrectly in the end credits!], Greece

Wikipedia | IMDb



Nightwish (1988)

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‘In your dreams no-one can hear you scream’

Nightwish is a 1988 American horror film written and directed by Bruce R. Cook. It stars Clayton Rohner, Alisha Das, and Jack Starrett.

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Art director Robert A. Burns worked on Re-Animator; Tourist Trap and The Texas Chain Saw Massacre, among many others. KNB handled the special effects.

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A professor and four graduate students journey to a crumbling mansion to investigate paranormal activity and must battle ghosts, aliens and satanic entities…

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Reviews:

” …features absurd dialogue, hot chicks, and an entertaining albeit non-linear plot. I’d say give a watch for Thompson and Kaitan alone. Nightwish features roadkill, alien cocoons, a dude that pisses his pants, zombies, a retarded gate keeper, severed fingers, and tarantulas.” 80s Horror Central

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” …while there is so much going on here, I was never distracted from a completely predictable climax that I knew was coming since the first two scenes of the film. With a couple of scary gore effects and Brian Thompson, Cook’s film is not a complete failure. Trimming some of the fat would have made a leaner, meaner Nightwish.” Charles Tatum

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It’s like the director came up with various ideas and then dropped them. To make up for it, there’s some decent special effects involving alien breeding scenarios, nudity (Elizabeth Kaitan and Alisha Das), Alisha Das having sex with a ghost, and some interesting visuals bringing to mind some Stephen Sayadian weirdness mixed with something you might see in Night Train to Terror.” Bill Gordon, Horror Fan Zine

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Main Cast:

Clayton Rohner, Alisha Das, Brian Thompson (Flight of the Living Dead; Doctor Mordrid; Fright Night Part 2), Jack Starrett (Family Reunion; Grizzly II; Race with the Devil), Robert Tessier (Fertilize the Blaspheming Bombshell; Double Exposure; The Velvet Vampire), Elizabeth Kaitan (Necromancer; Friday the 13th Part VII; Silent Night, Deadly Night 2; et al), Artur Cybulski, Tom Dugan, Gayle Vance, John Hayden, Jared Coulter, Kazuko Ohashi, Elizabeth Hegyes, Joanne House.

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Choice dialogue:

Dean: “The highway’s mine!”

Bill: “There’s only one paranoid in this room. Or is he a schizoid?”

IMDb | Image credits: Sangue Doce | VHS Collector


Deep Space (1987)

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‘They created a monster over lunch. Now it’s back for dinner…’

Deep Space – stylized as DeepSpace – is a 1987 [released 1988] American science fiction horror film co-produced and directed by Fred Olen Ray from a screenplay co-written by T.L. Lankford. It stars Charles Napier, Ann Turkel and Bo Svenson. Steve Neill (Puppetmaster; The Stuff) provided the special effects makeup.

A U.S. satellite transporting a secretly engineered creature crashes to Earth near Los Angeles.

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Police officers Ian McLemore (Charles Napier) and Carla Sandbourn (Ann Turkel) are assigned to pursue the escaped mutant beast.

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Along the way, they clash with their superior, Capt. Robertson (Bo Svenson), and the scientists behind the project.

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Psychic Lady Elaine Wentworth (Julie Newmar) also lends them a hand before McLemore uses a chainsaw to battle with the beast in a fight to the finish…

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Reviews:

Deep Space is one of the better bad movies I’ve seen. Its flagrant ripping off of Alien is quite amusing, and it has quite a few great one liners. Charles Napier is perfectly cast as the gruff and tough McLemore. The monster itself, what little we see of it, is quite interesting as well.” James Hepler, BadMovies.org

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“The final fight is pretty funny and pretty dumb. Despite some heavy firearms, the creature was ultimately done in with a fire axe, a chainsaw and a jar of Roach-B-Gone from a pest control company. Thankfully, the credits started rolling within a minute of the creature’s death to help numb the pain.” Lohn Leavengood, Movies, Films and Flix

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” …pretty solid Fred Olen Ray fare, schlock horror, sci-fi, and action all mixed into one for a fun time; but the thing takes on another level with Napier as the lead. As great as he is as a supporting character, he’s that much better when it’s his show.” Matt Poirier, Direct to Video Connoisseur

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Main cast:

Charles Napier, Ann Turkel, Bo Svenson, Ron Glass, Julie Newmar, James Booth, Norman Burton, Jesse Dabson, Elisabeth Brooks, Anthony Eisley, Peter Palmer, Fox Harris, Michael Forest, William Fair, Richard Wiley, Mohamed Najjar, Dawn Wildsmith

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Buy: Amazon.co.ukAmazon.com | Amazon.ca

Wikipedia | IMDb


Pulse (1988)

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‘It traps you in your house… then pulls the plug’

Pulse is a 1988 science-fiction horror film written and directed by Paul Golding. It should not be confused with the Japanese ghost movie Pulse (2001) or the US remake of the same title (2006).

The film stars Cliff De Young (The Craft; Carnosaur 2; Dr. Giggles), Roxanne Hart, Joseph Lawrence (Isle of the Dead; Urban Legends: Final Cut), and Matthew Lawrence (Creature of Darkness; Monster Night; Big Monster on Campus).

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A highly aggressive, paranormal intelligence thriving within the electrical grid system of Los Angeles, California is moving from house to house. It terrorizes the occupants by taking control of the appliances, killing them or causing them to wreck the house in an effort to destroy it. Once this has been accomplished, it travels along the power lines to the next house, and the terror restarts.

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Having thus wrecked one household in a quiet, suburban neighborhood, the pulse finds itself in the home of a boy’s divorced father whom he is visiting. It gradually takes control of everything, injuring the stepmother, and trapping father and son, who must fight their way out…

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Buy: Amazon.com

Reviews:

” …when Golding does unleash his directorial punches – like the nasty shower scene where Roxanne Hart is nearly burned alive and a particularly well sustained climax, which has one outstanding seat-edge slow-motion scene as Cliff De Young avoids sliding onto a live floor literally only by the tips of his toes – the film is well worthwhile.” Richard Scheib, Moria

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” …Pulse isn’t a bad movie. It’s just not a terribly interesting one. The directing is adequate but there just isn’t much here. I think the concept of “killer electricity” is just hard to pull off in a horror movie. In an era when we have movies with shots of masked boogeymen and monsters chasing down helpless victims…” Wes R., Oh, the Horror!

“Imagine a 6th-season episode of Gimme a Break!, only replace Nell Carter with a malevolent fusebox, and you’re halfway to grasping the sheer banality of this (alleged) horror movie. 74% of the film consists of a pre-teen Joey Lawrence as he walks down hallways, peers into clothes dryers, stares at utility poles, and narrowly escapes death at the hands of a malicious garage door opener.” Scott Weinberg, DVD Talk

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“It must say something if after I saw this film–my entry into a glass shower was always met with an unusual fear. The thing with glass showers is that it improves upon the concept of seeing your murderer coming at you a la Psycho. But the fact that the glass door can seal itself shut is like a punch in the gut. Glass showers are supposed to luxurious! They can’t become instant death traps!” Andre Dumas, The Horror Digest

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Cast and characters:

  • Cliff De Young as Bill Rockland
  • Roxanne Hart as Ellen Rockland
  • Joey Lawrence as David Rockland
  • Matthew Lawrence as Stevie
  • Charles Tyner as Old Man Holger
  • Dennis Redfield as Pete
  • Robert Romanus as Paul
  • Myron Healey as Howard
  • Michael Rider as Foreman
  • Jean Sincere as Ruby
  • Terry Beaver as Policeman
  • Greg Norberg as Policeman
  • Tim Russ as Policeman

Wikipedia | IMDb


Meet the Hollowheads (1989)

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Meet the Hollowheads – aka Life on the Edge – is a 1989 American science fiction black comedy directed by special-effects makeup artist Tom Burman (Cat People; Prophecy; The Manitou; et al) from a screenplay co-written with Lisa Morton.

The film stars John Glover (In the Mouth of Madness; Robocop 2; Gremlins 2), Juliette Lewis (Cape Fear; Natural Born KillersFrom Dusk Till Dawn), Richard Portnow, and Joshua John Miller.

A satire of 1950s sitcoms set in a dystopian future, the film is populated by bizarre, tentacled creatures that function dually as household appliances and food.

Buy: Amazon.com | Amazon.co.uk

Reviews:

“A movie made by a make-up and set design artist and it shows […] The atmosphere and dialogue is silly, cheesy, 50s-sitcom, cheery simplicity but the entertainment is in watching all the inventive eye-candy and quirks. Cult material.” The Last Exit

“In its more successful moments, the film teeters on the cartoonishly surreal but mostly the only tone it achieves is low pantomime farce. At its best, the film makes one scratch their heads and wonder what is going on; at its worst, it is infuriating.” Richard Scheib, Moria

” …the script by Lisa Morton and Thomas Burman full of rich and clever dialogue, the film’s production design by Edward Eyth and the art direction by Michael Stuart was mind-blowing (the amount work that went into the design of the Hollowhead kitchen alone must have been exhaustive)…” House of Self Indulgence

“In terms of gorgeously offbeat production design, this comes off like Pee Wee Herman’s Blade Runner. Unfortunately, although it’s unquestionable outrageous, little of it is funny. A weird and wonderful cinematic misfire, alternately repulsive and ridiculous…” Steven Puchalski, Shock Cinema

Cast and characters:

  • John Glover as Henry Hollowhead
  • Nancy Mette as Miriam Hollowhead
  • Richard Portnow as Mr. Crabneck
  • Juliette Lewis as Cindy Hollowhead
  • Matt Shakman as Billy Hollowhead
  • Joshua John Miller as Joey
  • Shnutz Burman as Spike
  • Lightfield Lewis as Bud Hollowhead
  • Lee Arenberg as Ream Instructor
  • Barney Burman as Young Reamer
  • Anne Ramsey as Babbleaxe
  • Bobcat Goldthwait as Cop #1
  • Donovan Scott as Cop #2

Wikipedia | IMDb


Cannibal Ferox (1981)

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‘Bizarre human sacrifices! The most violent film ever!’

Cannibal Ferox is a 1981 Italian exploitation horror film written and directed by Umberto Lenzi. It can be considered one of the ‘unholy trinity’ of superior Italian cannibal films, alongside Jungle Holocaust and Cannibal Holocaust. In the US, it was retitled Make Them Die Slowly.

ferōx m, f, n (genitive ferōcis); third declension

  1. wild, bold, gallant
  2. warlike
  3. defiant, arrogant

In the jungles of the Amazon, brother and sister, Rudy (Danilo Mattei, Anglicised as Bryan Redford) and Gloria (Lorraine De Selle, (Emanuelle in AmericaHouse on the Edge of the Park) and their friend Pat (Zora Kerova, appearing here as Pat Johnson, also seen in the likes of The New York Ripper and Anthropophagous) are on a mission to prove Gloria’s assertion that cannibalism is a Western myth.

Alas, their jeep breaks down and they encounter drug dealers on the run from New York; Mike (Giovanni Lombardo Radice, aka John Morghen, House on the Edge of the Park, City of the Living Dead) and Joe (Walter Lucchini).

It transpires that the pair’s busman’s holiday has developed to bothering the local tribes for cocaine and jewels, not to mention enraging them further by torturing and killing their local guide whilst Mike was high on drugs. This ‘misunderstanding’ has led to the cannibals attacking and leaving Joe badly injured.

Regardless, Mike continues to push his fellow travellers to the limit, seducing Pat and killing a native girl for kicks. The locals take exception to this and begin to hunt down the Americans in an avalanche of cruelty from hooks slicing through breasts to castration to good old-fashioned brain chomping. Only one person survives but what state will they be in when the horror is over?

Review:

Director Umberto Lenzi (Nightmare City), a stalwart of Italy’s genre films, bookended the cannibal film era, beginning with Man from Deep River in 1972 and essentially closing it here in 1981 (though had helmed the tamer Eaten Alive in 1980). Ferox, incidentally, was re-titled Woman from Deep River on its Australian release.

Ferox was pretty much the last word and left the genre with no body part or animal left to mush up. Though remaining one of the most debated films of the sub-genre, there can be little argument that Ferox lacks the cerebral qualities of most previous cannibal outings, quickly dispensing with the unnecessary introduction to the characters and moving swiftly on to breathtaking scenes of brutality and depravity.

Though fully deserving of their demise, the intruders in the jungle are wildly dislikeable (though Radice steals the entire film with his wide-eyed performance – his seduction of Pat includes the touching tribute of her being “a hot-pussy whore”) and it’s difficult not to root for the natives.

As with Ruggero Deodato’s Cannibal Holocaust, accusations of cruelty being meted out on the local fauna were undeniable – a monkey and a pig in particular coming in for some rough treatment. Radice was less than impressed, refusing to take part in the slaughter of innocent animals. It is alleged that Lenzi attempted to convince the actor to join in the killings by asserting that “Robert De Niro would do it” – Radice responded that “De Niro would kick your ass all the way back to Rome”.

Though now dismissive of his part in the film, it is to Radice’s credit that he really throws himself into the role, acting his co-stars out of the rather sparse jungle. It would be reasonable to say that their predicament is far from a jolly holiday, but De Selle and Kerova are incredibly annoying, simpering and gibbering all the way through. Robert Kerman (also known as R. Bolla when appearing in adult movies) also appears, briefly, securing his place in exploitation movie history by starring in both Ferox and Cannibal Holocaust.

Whether flimsy of plot or moral fibre, the effects are superb, the work of Gino De Rossi, an effects designer who had begun his career on the likes of Return of White Fang and Napoli Spara! but progressed through the grime of Zombie Flesh Eaters and City of the Living Dead to work on mainstream films such as Casino Royale (2006).

The music is regularly credited to Budy Maglione – in fact, it is the work of two people; Roberto Donati and Maria Fiamma Maglione. Donati had worked through the 1960’s in several different pop and R’n’B bands as a singer and guitarist but branched out into soundtracks a decade later. His works include scores to Assault with a Deadly Weapon (1976), Eaten Alive (1980) and Daughter of the Jungle (1982).

The brassy, flares-wearing New York theme seems more at home on a poliziotteschi but the main Ferox theme is a doom synth classic – a poor relative of Fabio Frizzi’s glorious melodies but still a fondly regarded one.

Filmed in the jungles of Leticia, the southernmost city in Colombia, the film somehow lacks the feeling of the characters actually being very far away from civilisation – you rather suspect there’s a Pizza Hut just around the corner.

Ironically, Radice wasn’t the only person onset to express his disappointment with the film – Lenzi too felt it was one of his lesser works, only a ‘minor film’ – however, his best years were already behind him and this was one of only a few efforts by the director in the 1980’s, all of them being shadows of his former genius.

Ferox is a silly film but it is difficult to have sympathy with anyone finding serious fault with a cannibal film – people get chopped up, animals get a rough deal, we are left with a tacked-on philosophical message – ’twas ever thus and no-one is pretending this is Ben Hur. It is, however, hugely entertaining, perhaps not always for the intended reasons. Nonetheless, Ferox is rightly hailed as a milestone in exploitation cinema.

The ‘Banned in 31 Countries’ tagline is an odd one, not least because it is likely to be far higher.

Daz Lawrence, Horrorpedia

Buy: Amazon.com | Amazon.co.uk

Other reviews:

Make Them Die Slowly is often hysterically funny— which is something you should never be able to say about a movie that involves this much animal-snuff footage— and though he lacks the nerve to revel in his most loathsome misdeeds the way Deodato did, he never lets that stop him from committing them, either. Compare Lenzi’s take on the turtle-butchering scene to Deodato’s.” Scott Ashlin, 1000 Misspent Hours and Counting

Buy Cannibal Ferox on Blu-ray from Amazon.com

On May 12, 2015 Grindhouse Releasing issued the film on Blu-ray:

Special Features:

  • Original unrated, uncensored director’s cut
  • New 2K transfer – scanned from the original camera negative
  • Shocking deleted scenes – not seen for over 30 years!
  • Breathtaking digital stereo re-mix by Academy Award winner Paul Ottosson
  • Optional Italian language soundtrack and original mono mix
  • Candid and shocking audio commentary by director Umberto Lenzi and star John Morghen
  • Provocative, in-depth interviews with director Umberto Lenzi, stars Giovanni Lombardo Radice, Danilo Mattei and Zora Korowa, and special effects master Gino DeRossi
  • Eaten Alive! The Rise and Fall of the Italian Cannibal Film
  • All-new feature-length documentary containing interviews with Umberto Lenzi, Ruggero Deodato, Sergio Martino, Giovanni Lombardo Radice, and Robert Kerman
  • Original Italian, German and U.S. theatrical trailers
  • Extensive gallery of stills and poster art
  • Glossy 12 page booklet containing liner notes by legendary 42nd Street historian Bill Landis (author of The Sleazoid Express) and Eli Roth (director of Hostel and The Green Inferno)
  • Bonus CD – original soundtrack album by Budy-Maglione – newly remastered in stunning 24 bit/96khz sound from the original studio master tapes, and including never-before-released alternate takes
  • Embossed slipcover

Wikipedia | IMDb


Wacko (1981)

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‘At last! A motion picture made by, for, and about people… just like you!’

Wacko is a 1981 (released 1982) American horror-parody film produced and directed by Greydon Clark (Uninvited; Without Warning; Satan’s Cheerleaders) from a screenplay by Jim Kouf (Grimm; The Hidden; The Boogens), Dana Olsen and Michael Spound.

The film stars Joe Don Baker (Cape Fear; The Pack; The Shadow of Chikara), Stella Stevens (Megaconda; The GrannyLittle Devils: The Birth; et al) and George Kennedy (Demonwarp; Just Before Dawn; Death Ship).

It all began exactly thirteen years ago, when Mary Graves’ older sister was murdered on Halloween prom night by a power-mower maniac.

Since then she has experienced horror, sexual frustration, even psychoanalysis, but she still sees little lawnmowers everywhere.

However, tonight, at the new Halloween Prom, all the questions of the past thirteen years will be answered as the pumpkin-headed killer has returned. But hot on their trail is an obsessed cop (Joe Don Baker) who won’t allow history to repeat itself…

Buy: Amazon.co.uk | Amazon.com

Reviews:

“Although Wacko isn’t as clever as Student Bodies, as star-filled as Pandemonium, or as lovable as Zapped!, it does have its moments. Set at Alfred Hitchcock High School, the comedy’s a mixed bag (most of the best gags are in the last half hour of the film), with countless references to Halloween, Psycho, The Omen, and Alfred Hitchcock Presents, and lesser references to everything from Welcome Back Kotter to West Side Story.” Vinnie Rattolle, Cult Oddities

“…Wacko is one of the most criminally underrated and overlooked movies in this book. It’s hysterically funny (something that many modern parodies are lacking) and one of the best parodies out there. It does tend to lose momentum towards the end of the film, but still manages to be funny, even with repeat viewings.” Ronnie Angel, Slashed Dreams: The Ultimate Guide to Slasher Films

Buy: Amazon.com | Amazon.co.uk | Amazon.ca

“For its hundreds of gags and zingers, there are actually very few laughs in a seemingly endless 84-minute running time. Whether it’s Joe Don Baker’s embarrassing monologues or Andrew Dice Clay’s cheesy rock number, Wacko never fails to fumble, fall, and eventually drown in its own comic ineptitude.” AllMovie.com

“It’s all played strictly for laughs but most of the gags fall flatter than pancakes […] References (visual and verbal) to horror/science fiction cinema might help buffs to enjoy this in a small way. Everyone else will wince…”John Stanley, Creature Features

Buy: Amazon.co.uk | Amazon.com | Amazon.ca

“With characters as ‘The Looney’ and ‘The Weirdo’, the film is anything but subtle.” J. A. Kerswell, Teenage Wasteland: The Slasher Movie Uncut

Buy: Amazon.co.uk | Amazon.com | Amazon.ca

Wacko is one of those films that tries to be a non-stop barrage of jokes but whereas that worked with Airplane (to which the video sleeve tries to compare this crap), it doesn’t work here because none of the jokes are even slightly funny. There are tick-the-box gags spoofing The Exorcist and Alien, neither of which is worth even a smile. The whole thing is just terrible beyond belief. I love it.” MJ Simpson, Cult films and the people who make them

Choice dialogue:

Lawnmower killer: “Death to all teenagers who f*ck.”

[Reading a note from the killer] Mrs. Doctor Graves: “It says, It’s Halloween, it’s prom night, there’s a psycho loose, so don’t open the door, don’t answer the phone, don’t look in the attic, don’t go to the bathroom, don’t go into the ocean, and don’t go into space ’cause no one can hear you scream. Signed, A Friend.”

Mr. Doctor Graves: “One very serious point: lawnmowers do not kill people. People kill people.”

Cast and characters:

  • Joe Don Baker as Dick Harbinger
  • Stella Stevens as Mrs. Doctor Graves
  • George Kennedy as Mr. Doctor Graves
  • Julia Duffy as Mary Graves
  • Scott McGinnis as Norman Bates
  • Elizabeth Daily as Bambi
  • Michele Tobin as Rosie
  • Andrew Dice Clay as Tony Schlongini (credited as Andrew Clay)
  • Anthony James as Zeke
  • Sonny Carl Davis as The Weirdo (credited as Sonny Davis)
  • David Drucker as The Looney
  • Jeff Altman as Harry Palms
  • Victor Brandt as Dr. Moreau
  • Wil Albert as Dr. Denton
  • Charles Napier as Chief O’Hara

Trivia:

The working title was The Last Horror Show

Wikipedia | IMDb |

Image credits: Australian VHS CoversCult OdditiesPort.hu


The Other Hell (1980)

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‘Say your prayers’

The Other Hell is a 1980 (released 1981) Italian supernatural horror film directed by Bruno Mattei [as Stefan Oblowsky] (Snuff Trap; Cruel Jaws; Hell of the Living Dead) from a screenplay written by Claudio Fragasso (Robowar; Zombie 3; Rats: Night of Terror).

The film stars Franca Stoppi (Beyond the Darkness), Carlo De Mejo (Manhattan Baby; City of the Living Dead), Francesca Carmeno and Franco Garofalo.

The original Italian title is L’altro inferno, and it is also known as Guardian of Hell and The Presence. The Goblin soundtrack score was recycled from Beyond the Darkness (1979).

On April 11, 2017, the film is released in the United States on Blu-ray by Severin Films.

Buy: Amazon.com | Amazon.ca

Audio Commentary With Co-Director/Co-Writer Claudio Fragasso, Moderated By Freak-O- Rama’s Federico Cadd
Sister Franca: Interview With Actress Franca Stoppi
To Hell And Back: Archive Interviews With Director Bruno Mattei and Actor Carlo De Mejo
Trailer
Reversible Cover Art

Review:

Something is amiss in the local convent, the mummified Mother Superior raves in the cellar, an evil-looking gardener (Franco Garofalo) lurks in the grounds, babies are boiled in the font, incidences of mutilation rise amongst the novices and the threat of demonic possession looms large.

As an ill-fated clerical investigation tries to sort it all out, the possibility of a return to the oldest of gothic subgenres, the evil convent story (pace Anne Radcliffe, M.G. Lewis and Diderot) seems in the offing, especially since director Bruno Mattei also made The True Story of the Nun of Monza (one assumes, using recycled nun habits and convents sets).

As flaky special effects and softcore writhings are trotted out, it becomes obvious that this is another ‘exorcismsploitationer’ with a superficial emphasis on Catholic trappings.

Most of the minor characters meets supernatural fates until a few slices of exposition finally reveal that it’s all down to the influence of a nun’s illegitimate daughter and the Devil himself, who have a right old set-to, dragging in some zombie nuns, in lieu of a climax.

Kim Newman, Horrorpedia

Buy DVD: Amazon.com | Amazon.co.uk | Amazon.ca

Other reviews:

“In The Other Hell, they manage to rip off Carrie, The Exorcist, The Devils and The Omen (among others), while the music is stolen from various Goblin-scored films, including Buio Omega. And don’t miss the Mario Bava riff — the scenes in the convent attic, which almost succeed in being atmospheric and disturbing. That is, until you ask yourself: “What is a room full of dolls hanging from chains doing in a convent?” Braineater

“Alternately odd and hilarious, this mixed bag – full of screaming, out of control nuns […] An outrageous performance by Stoppi as the guarded Mother Superior dominates the action. The whole would-be transgressive silliness must be seen to be believed.” The Terror Trap

” …manages all sorts of confusing antics sure to keep the viewer in a state of increasing disbelief. Telekinesis, dog attacks, cooked babies, genital slicing and sketching priests might all add up to a cringe-inducing cocktail of crudeness to most, but thankfully for us viewers, it’s just another day at the office for Bruno Mattei!” MonsterHunter

” …while the film starts off promising, things slow way the f*ck down once the priest comes on the scene to investigate the murders. Along the way, there’s some bizarre moments (like a dog attack and some baby boiling); yet it’s nothing that’s in the same league as the opening scene. Ultimately, the intermittent spurts of WTF craziness just don’t justify the long dull stretches in between.” Mitch Lovell, The Video Vacuum

Buy: Amazon.com | Amazon.co.uk

” …The Other Hell does not disappoint with the old ultraviolence, be it death by stigmata, multiple stabbings, a very convincing priest immolation, or a severed head in an altar.” Duane Hicks, UK Horror Scene

Choice dialogue:

Mother Vincenza: “The genitals are the door to evil! The vagina, the uterus, the womb; the labyrinth that leads to hell; the devil’s tools!”

Cast and characters:

  • Franca Stoppi as Mother Vincenza
  • Carlo De Mejo as Father Valerio
  • Francesca Carmeno as Elisa
  • Andrew Ray as Father Inardo
  • Susan Forget as Sister Rosaria
  • Franco Garofalo as Boris
  • Paola Montenero as Sister Assunta
  • Sandy Samuel as Catatonic Nun
  • Tom Felleghy as The Bishop
  • Alba Maiolini as Sister Fiorenza

Buy: Amazon.co.uk | Amazon.com | Amazon.ca

Filming locations:

Convento di Santa Priscilla, Rome, Italy
Cimitero delle Fontanelle, Naples, Campania, Italy

Wikipedia | IMDb

Image credits: TerrorFantastico.com | VHSplatter



Once Bitten (1985)

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Once Bitten is a 1985 American horror comedy film directed by Howard Storm from a screenplay by Jonathan Roberts, David Hines, Jeffrey Hause and Terence Marsh. It stars Lauren Hutton, Jim Carrey, and Karen Kopins. The film was Carrey’s seventh film and his first main role.

Plot:

Being 400 years old, the Countess (Lauren Hutton) has collected a stable of young men and women who accompany her on her centuries-old journey through eternal night-and youth.

While she is immortal, she is required to drink the blood of a young male virgin three times by Halloween each year to keep her immortality and youthful appearance – a task she finds increasingly and extremely hard, since attractive young male virgins are almost impossible to find in the 1980s, particularly in hedonistic cities, in this case, Los Angeles.

Meanwhile, high school student Mark Kendall (Jim Carrey) wants to have sex, but is being put off by his girlfriend Robin Pierce (Karen Kopins).

One night, Mark and his best friends Jamie and Russ go into a singles bar in Hollywood. Mark meets the Countess and he goes back to her mansion, and after she seduces him, he passes out when she bites his thigh. When he wakes up, she pretends they have had sex and tells him that he is now hers…

Buy with Love at First Bite: Amazon.com | Amazon.co.uk

Reviews:

…Once Bitten is just spectacularly unfunny most of the time, trading on supposed double entendres to work up fitful humor. The film finally devolves into what is more or less a teenaged sex farce, and it’s notable that the film pretty much jettisons the vampire angle in its closing moments…” Jeffrey Kauffman, Blu-ray.com

“Released by The Samuel Goldwyn Company in the wake of other light horror comedies such as Teen Wolf and Transylvania 6-5000, Once Bitten is a mildly amusing affair which doesn’t have much style or horror elements for that matter, but it seems to embrace more 1980s teen comedy movie clichés than Hot Tub Time Machine.” George R. Reis, DVD Drive-In

” …affects a glossy, sophisticated look that does little to upgrade the film’s adolescent humor. As directed by Howard Storm, it has a lot more stylishness than wit. Miss Hutton looks great in black, but her predatory vampire grows tiresome very quickly, as do all the Bloody Mary jokes.” Janet Maslin, The New York Times

“Lauren Hutton has a space between her fangs as the vapid vampiress of Once Bitten, a sappy, sophomoric sex farce in which the supernatural’s answer to Mrs. Robinson sucks the blood virgin boys.” Rita Kempley, The Washington Post

“Teenage sex comedy with supernatural overtones, not as dumb as some but still kind of dumb.” John Stanley, Creature Features

Choice dialogue:

Mark: “I don’t wanna be a vampire. I’m a day person!”

Robin: “He doesn’t want you cause you’re mean and evil. He wants me because I’m sweet and pure. So, f*ck off!”

Cast and characters:

  • Lauren Hutton as the Countess
  • Jim Carrey as Mark Kendall
  • Karen Kopins as Robin Pierce
  • Cleavon Little as Sebastian, the Countess’s assistant
  • Thomas Ballatore as Jamie
  • Skip Lackey as Russ
  • Richard Schaal as Mr. Kendall, Mark’s father
  • Peggy Pope as Mrs. Kendall, Mark’s mother
  • Megan Mullally as Suzette
  • Jeb Stuart Adams as World War I Ace Vampire
  • Joseph Brutsman as Confederate Vampire
  • Stuart Charno as Cabin Boy Vampire
  • Robin Klein as 1960s Flower Child Vampire
  • Carey More as Moll Flanders Vampire
  • Glen Mauro as Twin Vampire #1
  • Gary Mauro as Twin Vampire #2

Wikipedia | IMDb


FleshEater: Revenge of the Living Dead (1988)

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FleshEater: Revenge of the Living Dead is a 1988 American horror film produced and directed by Bill Hinzman from a screenplay co-written with William Randolph. It is also known as FleshEaterRevenge of the Living Zombies and, in the UK, it was released on VHS as Zombie Nosh.

Hinzman is best known for playing the cemetery ghoul in the opening scenes of George A. Romero’s Night of the Living Dead (1968). This film also stars John Mowod, Leslie Ann Wick, and Kevin Kindlin. It was completed on a budget of just $60,000.

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Plot:

When a farmer unearths a coffin on his land, he unwittingly releases a ravenous zombie hungry for human flesh.

Nearby, a group of teenagers are having a party in the forest, oblivious to the danger that they are in. When the zombies attack, the terrified youngsters flee to a deserted farmhouse, desperately trying to hold the undead horde back…

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Buy: Blu-ray | DVD from Amazon.com | Amazon.co.uk

Reviews:

Hinzman’s sparse effects crew proves to be impressive and prolific gag artists throughout, as there’s nary a stretch where someone isn’t having their guts consumed or their face blown off. If you’re going to basically eschew plot like FleshEater does, it’s wise to keep the blood flowing (and, some might say, the boobs flashing—there’s plenty of T&A here…” Brett Gallman, Oh, the Horror!

Flesh Eater wallows in the base elements that was horror in the 80’s and basically still is. No, not the cerebral horror that pulls our deepest fears from our bellies. No, not the “self aware” crap like Scream but the purely gratuitous sort! (Smiles warmly).” The Horror Review

“Most of the film has no atmosphere and no tension. The only scenes with any tension at all bear a striking resemblance to scenes from Night of the Living Dead, and these are dispensed with early in the film so Hinzman can get down to the business of his monotonous killing.” Brian Robinson, Zombierama

“Zombie Nosh has some moments of sleaze worth noting but Hinzman’s brainchild film is simply a very bad rip-off of a far superior film. Stick with the original zombie shocker Night of the Living Dead if you want sophisticated splatter.” Popcorn Pictures

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Wikipedia | IMDb

Posted by Will Holland

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To All a Goodnight (1980)

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‘You’ll scream til’ dawn’

To All a Goodnight is a 1980 American slasher horror film, directed by actor David Hess (Smash CutBodyCount; The Last House on the Left). It was written by Alex Rebar (Home, Sweet Home; Demented and The Incredible Melting Man himself). It stars Jennifer Runyon, Forrest Swanson and Linda Gentile. FX were provided by Mark Shostrom.

Plot [taken from Media VHS sleeve]:

It promises to be an exciting holiday for the five young girls, boarders at the exclusive Calvin Finishing School. They have just drugged their housemother and smuggled in their boyfriends. A Christmas vacation frolic awaits. That is, until night falls.

During the party-filled night, members of this fun-loving clan disappear one by one. In a series of grisly scenes, a mysterious, masquerading, and mad Santa Claus hacks away at their ranks. The absence of their missing friends is overlooked at the next days picnic until one of the girls stumbles across Ralph Kramer. Someone has taken an axe to his head.

The police are notified and everyone is confined indoors. But with the coming of night, the bloodbath continues. The murderer’s victims meet their gory deaths as the maniac carries out his horrifying handiwork…

Buy: Amazon.com | Amazon.co.uk

Reviews:

“Eccentric dialogue, bizarre hairstyles, a surplus of varied kill scenes, a baffling cameo by porn legend Harry Reems as an airplane pilot (a role you’d see Robert Kerman doing had this been an Italian film), and wildly random lighting and day-for-night shifts make it a great party film…” Nathaniel Thompson, Mondo Digital

“Performances range from fine (Runyon particularly) to serviceable, the characters are no more dumb than in any other slasher film, there’s nudity (restrained) and gore (somewhat hampered by the budget), sex-then-death and stalking set-pieces including a few false scares.” Eric Cotenas, DVD Drive-In

“This film came at the start of the 80’s slasher cycle but still manages to be clichéd and repetitive. There’s the red herring (a Crazy Ralph type gardener), the twist ending, the tour of the dead, the deadly preamble, and of course, the useless authority. These are some common traits of slashers and they feel downright beat to death here.” 80s Horror Central

” …Hess’ killer has all the presence and panache of a Heffalump on rollerblades, duly plodding around the house without a nod towards building any modicum suspense. This Santa’s saving grace being an impressively varied sack full of goodies; he offs them with axe; cross-bow; rock; knife…” Hysteria Lives!

“It’s not the best or most original, but I think fans will enjoy the cookie-cutter nature of the formula going full speed ahead, the mean, inventive kills, and the creepy Santa killer. Not the best by a long shot, but certainly worth seeing once. At the very least, it’s passable holiday horror fare…” Wes R., Oh, the Horror!

“There are facets to it that cause intrigue such as the twist ending, and of course the use of a killer Santa (way before Silent Night, Deadly Night) but generally speaking it’s a very forgettable slasher movie that would belong only in the collection of completists and avid Hess aficionados.” David Wain, UK Horror Scene

 

“There’s enough weirdness to keep most forgiving horror and exploitation fans awake. Porn superstar Harry Reems, for some insane reason, shows up in a small role as a pilot. The Santa outfit is quite creepy despite its lack of narrative relevance. The braindead dialogue is fun, as are the scenery chewing performances.” Dave Jackson, Mondo Exploito

Cast and characters:

  • Jennifer Runyon as Nancy
  • Forrest Swanson as Alex
  • Linda Gentile as Melody
  • William Lauer as T. J.
  • Judith Bridges as Leia
  • Katherine Herrington as Mrs. Jensen
  • Buck West as Ralph
  • Sam Shamshak as Polansky
  • Angela Bath as Trisha
  • Denise Stearns as Sam
  • Solomon Trager as Tom
  • Jeff Butts as Blake
  • Harry Reems [credited as Dan Stryker] as Pilot

Release:

The film was given a limited theatrical release in the United States on January 30, 1980 by Intercontinental Releasing Corporation (IRC). It was released on VHS in the United States by Media Home Entertainment in 1983. Do to the films poor lighting, many scenes have been hard to see in VHS quality.

Under license from current rights holder MGM, Kino Lorber released the film for the first time on DVD and Blu-ray on October 21, 2014. Special features include interviews with actors Jennifer Runyon and Katherine Herrington and co-producer and writer Alex Rebar and the original theatrical trailer.

Wikipedia | IMDb | Image credits: Mondo Exploito

Related: Ho! Ho! Horror! – Festive Fright Films – article by David Flint


The Hearse (1980)

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The Hearse
 is a 1980 American supernatural horror movie directed by George Bowers (editor of From Hell) from a screenplay by Bill Bleich (Poltergeist: The Legacy; From the Dead of Night; The Midnight Hour), based on Mark Tenser’s idea. It stars Trish Van Devere (The Changeling) and Joseph Cotten (DelusionBaron Blood; Lady Frankenstein).

In the US, the film was distributed by Crown International Pictures.

On May 30, 2017, the film is released as a Blu-ray + DVD combo by Vinegar Syndrome. Special features are:

• Newly scanned and restored in 2k from 35mm original camera negative
• “Satan Get Behind Thee” – video interview with lead actor, David Gautreaux
• Original theatrical trailer
• TV spot
• Promotional still gallery
• Reversible cover artwork
• English SDH Subtitles

Plot:

Jane Hardy (Trish Van Devere) arrives in the town of Blackford to stay in an old house left to her by a late aunt. As time passes, Jane learns secrets her aunt kept from her in life, but that were well-known by the townspeople.

In life, Jane’s aunt had been a devil worshiper, and upon her death, the hearse carrying her body crashed, but no sign of the driver or of the coffin were ever found. Since then, the house inherited by Jane has been haunted by evil spirits and the rural road out of Blackford has been haunted by the hearse that crashed.

As these stories come to light, Jane attempts to leave Blackford to avoid being drawn in by her aunt’s spirit, but finds herself pursued by the ghostly hearse and held prisoner inside Blackford by spirits.

Reviews:

The Hearse qualifies as this summer’s garage sale of horror movies. It contains all the best clichés from recent, more successful horror movies (especially [The] Amityville [Horror] and even The Changeling, which came out last April and starred Van Devere, her husband George C. Scott and, of course, the obligatory self-banging doors and self-playing musical instruments).” RogerEbert.com

The Hearse was directed by George Bowers, and shot either in a very stylized fashion or without benefit of a light meter – many of the film’s outdoor scenes feature brilliant blue skies and actors with dim, shadowy faces. As far as the horror goes, Mr. Bowers makes his film moderately scary and pretty unpleasant, too.” Janet Maslin, The New York Times

“The Hearse has a bad rep for being confusing, unsatisfying and boring. Not true at all. It’s just a slow and steadily building shocker with an ending that lets you decide what the hell you just watched. Nothing on the screen could ever match the horrors the human mind can conjure with a little suggestion.” Deep Red Rum

Buy: Amazon.com | Amazon.co.uk

“The haunted house schtick is the film’s main focus (the hearse is just a roadside annoyance), as it attempts to create an unsettling atmosphere via a sinister piano-laden music score, point-of-view angles, lot’s of scenes that involve investigating weird noises, and plenty of cheap jump scares.” House of Self Indulgence

“The nightmare sequence is genuinely effective and the film itself features a few creepy visuals but, then again, there’s no way the sight of a hearse pulling up in front of a house in the middle of the night couldn’t be creepy. Trish Van Devere does okay as Jane, though it’s somewhat odd that all the teenage boys in the town keeps talking about how hot and sexy she apparently is when she looks like she’s about 50 in this film.”
HorrorCritic.com

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“It’s not the most cohesive plot, in fact, it doesn’t really make sense but it’s solidly sinister and ghost-y-licious. I was interested the entire time and eager to see what would happen next despite the idiocy of certain aspects. (she has a pentagram locket and has no god damn idea what it is, she just thinks it’s pretty).” The Church of Splatter-Day Saints

Cast and characters:

  • Trish Van Devere – Jane Hardy
  • Joseph Cotten – Walter Pritchard
  • David Gautreaux – Tom Sullivan
  • Donald Hotton – Reverend Winston
  • Med Flory – Sheriff Denton
  • Donald Petrie – Luke
  • Christopher McDonald – Pete
  • Perry Lang – Paul Gordon
  • Fred Franklyn – Mr. Gordon
  • Al Hansen – Bo Rehnquist
  • Dominic Barto – The Driver
  • Nicholas Shields – Dr. Greenwalt
  • Chuck Mitchell – Counterman
  • Allison Balson – Alice
  • Jim Gatherum – Boy #1
  • Victoria Eubank – Lois
  • Tanya Bowers – Schoolgirl

WikipediaIMDb | Image credits: Pre-cert.co.uk

Related entries: The Changeling | Crown International Pictures


Winterbeast (1986)

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Winterbeast is a low budget American horror film about an ancient Native American demon that murders partygoers in the Wild Goose Lodge, Massachusetts.

Although filmed on 16mm in 1986, it was never fully completed and the existing footage remained unreleased until five years later when J.R. Bookwalter’s Tempe Video (“The Evil Dead meets Northern Exposure”) issued a tape.

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Written and directed by Christopher Thies, this eccentric production features stop motion monsters. It was subsequently released on a Special Edition DVD in 2008 with a 20 minute Making of featurette, deleted scenes (!) and audio commentary.

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Reviews:

“There’s a lot of weirdness on display in Winterbeast, like gross misuse of plaid flannel clothing of all colors and a creepy stuffed deer head that shows up in multiple locations and always seems to be staring at the audience. Maybe it knows something we don’t.” Kevin Pyrtle, Wtf-Film

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“I’m a sucker for stop-motion animated monsters, and this film boasts an interesting menagerie ranging from a walking totem pole to (loins girded?) a giant demonic chicken. These things are fun to watch, particularly, since they don’t blend well, or even at all, with the live action footage.” Matt Bradshaw, Moviefone 

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Buy: Amazon.com

“Love it! Love it!… If you find Winterbeast, watch it. Then, watch it again…The film drips with weirdness – camera angles and frame compositions – the sets. It’s all one big pile of greatness…” Bleeding Skull

“While at times the film can be a little slow it is definitely worth watching to see all the cheesy, stop-motion animation monsters murder their clay prey!” Deathwish Industries

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IMDb | Facebook


Hide and Go Shriek (1987)

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‘Close your eyes. Count to 10. And run for your life.’

Hide and Go Shriek – aka Close Your Eyes and Pray – is a 1987 American slasher horror film directed by Skip Schoolnik (assistant director on Time Walker; editor on Amityville: The Evil EscapesHalloween IIDr. Heckyl and Mr. Hype).

The screenplay was by Michael Kelly and Screaming Mad George (Society) supplied the makeup effects. It stars Bunky Jones, Brittain Frye and Annette Sinclair.

A group of teenagers spend the night in a furniture store for a graduation party. A psycho killer hunts them down and kill them, one by one…

The film is released in the UK as a Blu-ray + DVD combo by 88 Films on 10 July 2017.

Buy: Amazon.co.uk

Reviews:

“It’s pure trash, replete with nudity, dim lighting, and people bleeding out the mouth. It’s nasty, cruel, and, actually, sometimes, kind of creepy. A lot of that owes to its look […] The makeup fx are also well-done: there is no shortage of corn starch-based red stuff. And except for John Ross’s shameless Aerosmith rip-off, his mostly synth-based music score is fantastic.” Ross Peterson, HorrorNews.net

“Definitely odd and memorable in its own low-key, twisted way, this one is pretty sparing with the gore but does deliver a nasty handful of moments along the way. Despite the harsh sunlight seen in outdoor scenes, it Hide and Go Shriekdoesn’t really feel like a Los Angeles film for the most part; the arty, druggy atmosphere has an almost European feel most of the time, and the climax really goes into surreal territory with cavernous storage areas and dozens of mannequins…” Nathaniel Thompson, Mondo Digital

“The killer isn’t given any sort of characterisation except that he is a cross-dresser, stooping the low depths to shamelessly and lazily equate transvestism with serial killing […] Hide and Go Shriek is better than it has any right to be given how late in the day it arrived to the slasher table. You’ve seen it all before but it handles the bulk of the material with a reasonable amount of skill.” Andrew Smith, Popcorn Pictures

“Performance wise, almost everything was ok, but Bunky Jones let the side down with a torrid cocktail of overacting and just plain shouting. The kids are all picked more as eye candy and there are some hot chicas here, especially the unfortunate who loses her head (quite literally). We also get the usual amount of silly late-eighties shenanigans and campy fun before the terror starts…” Luisito Joaquín González, A Slash Above…

“With hardly an original thought in its head it gleefully molests every last cliché it can get its hands on. The big hair, day-glo fashion and 80’s speak provide quite a few cheesy chuckles. But as a horror movie, like I said, Chopping Mall did it all so much better. It does pre-date another store slasher Intruder (1988) […] Hide and Go Shriek doesn’t compare well with that film either…” Hysteria Lives!

Cast and characters:

  • Bunky Jones as Bonnie Williams + Grotesque; Frankenstein General Hospital; The Kindred
  • Brittain Frye as Randy Flint + Slumber Party Massacre III
  • Annette Sinclair as Kim Downs
  • George Thomas as David Hanson
  • Donna Baltron as Judy Ramerize
  • Scott Fults as Shawn Phillips
  • Ria Pavia as Melissa Morgan
  • Sean Kanan as John Robbins
  • Scott Kubay as Zack
  • Jeff Levine as Fred
  • Michael Kelly as the alley Wino
  • Ron Colby as Phil Robbins
  • Donald Mark Spencer as Vince
  • James Serrano and Lyons as the cops in the police car
  • Robin Turk as the prostitute in the opening scene
  • Joe White as the man behind the newsstand

Previous releases:

The film was given a limited theatrical US release with an R rating; an alternate video version, containing only a little more violence, was released unrated. In December 2016, Code Red released Hide and Go Shriek on Blu-ray from a new 2K scan.

Filming locations:

An abandoned warehouse in downtown Los Angeles, California, USA

Wikipedia | IMDb | Image credits: Critical Condition | Mondo Digital


Dawn of the Mummy (1981)

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‘They came from the dead… A monstrous, chilling terror stalking the living.’

Dawn of the Mummy is a 1981 American/Egyptian supernatural horror film produced and directed by Frank Agrama (Queen Kong), from a screenplay co-written with Ronald Dobrin and Daria Price. Original director Armand Weston (The Nesting) left the production.

It should not be confused with Roger Christian’s 2013 film Prisoners of the Sun (written by Peter Atkins and Anthony Hickox), which was retitled Dawn of the Mummy for its British DVD release by 4Front Films.

dawn_of_mummy_glc_01Plot:

A photographer and a group of American models travel to Egypt for a fashion shoot. While shooting in an ancient tomb, their hot lights accidentally revive a mummy and his followers, a band of flesh-eating zombies…

Buy DVD: Amazon.com | Amazon.co.uk

Reviews:

‘A mummy-zombie invasion hybrid isn’t a half-bad idea, unless it’s burdened by predictable scripting and unremarkable acting, and backed by an incongruous slasher score (picture frenetic music accompanying low-speed mummy chase).’ Peter Dendle, The Zombie Movie Encyclopedia, McFarland

Buy: Amazon.comAmazon.co.uk | Amazon.ca

‘The last half hour is an eye gouging, skin ripping, mutilating and eviscerating good time and yes, most definitely worth the wait. I am even willing to ignore the fact that Surferman and his friends are able to almost simultaneously be in town and at the fashion shoot campground despite the fact that there was clearly a huge distance between the two as set early on. The gore really is just that satisfying.’ That Which Should Not Be Measured

“Some praise should be given to the special effects and zombie/mummy make-up in the film. While not looking as delightfully rotten as the zombies in Fulci’s films, the corpses look appropriately decayed, while Sephriman looks terrific despite spending most of his time staring confusedly at nothing in particular. The gore is plentiful, and is usually realized quite effectively, aside from the brief cleaver to the head scene, which is really the fault of some rough editing.” Movie Feast

“The gore’s the main emphasis (the promise of sex is a red herring) yet nothing here is particularly innovative or even well executed.” Jamie Russell, Book of the Dead

Buy: Amazon.comAmazon.co.uk | Amazon.ca

“The story, dialogue and performances are so absurd that the film’s extremely violent bits are more amusing than tasteless. And the mummy make-up is surprisingly excellent: naturally thin actors are wrapped in dirty, bloody rags with sections of dried flesh exposed. Make no mistake – Dawn of the Mummy is truly a bad movie but is also a hilarious one…” Zombie Movies: The Ultimate Guide

Buy: Amazon.comAmazon.co.uk | Amazon.ca

Cast and characters:

  • Brenda King as Lisa
  • Barry Sattels as Rick
  • George Peck as Bill
  • John Salvo as Gary
  • Ibrahim Khan as Karib
  • Joan Levy as Jenny
  • Ellen Faison as Melinda
  • Dianne Beatty as Joan
  • Ali Gohar as Tariq
  • Ahmed Rateb as Omar
  • Bahar Saied
  • Ali Azab
  • Ahamed Labab as Ahamed
  • Laila Nasr as High Priestess/Old Hag
  • Kandarp Raval as The servant boy (mummy)


Wikipedia | IMDb



The Hearse Song aka The Worms Crawl In – song

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The Hearse Song” is a song about burial and human decomposition, of unknown origin.

It was popular as a World War I song, and was popular in the 20th century as an American and British children’s song, continuing to the present.

It has many variant titles, lyrics, and melodies, but generally features the line “the worms crawl in, the worms crawl out”, and thus is also known as “The Worms Crawl In“.

It gained more popularity in present times by being included Scary Stories to Tell in the Dark (1981) by Alvin Schwartz, who gives the lyrics as:

“Don’t you ever laugh as the hearse goes by,
For you may be the next one to die.
They wrap you up in big white sheets
and cover you from head to feet.
They put you in a big black box
And cover you with dirt and rocks.
All goes well for about a week,
Until your coffin begins to leak.
The worms crawl in, the worms crawl out,
The worms play pinochle on your snout,
They eat your eyes, they eat your nose,
They eat the jelly between your toes.
A big green worm with rolling eyes
Crawls in your stomach and out your sides.
Your stomach turns a slimy green,
And pus pours out like whipping cream.
You’ll spread it on a slice of bread,
And that’s what you eat when you are dead.”

Popular variations include that performed by Harley Poe on his album Satan, Sex and No Regrets, with major differences occurring in the final chorus:

And the worms crawl in, the worms crawl out,
They crawl all over your dirty snout.
Your chest caves in, your eyes pop out,
And your brain turns to sauerkraut.

They invite their friends and their friends too,
They all come down to chew on you.

And this is what it is to die,
I hope you had a nice goodbye.
Did you ever think as a hearse goes by,
That you may be the next to die?
And your eyes fall out, and your teeth decay,
And that is the end of a perfect day.

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In the 1960s, Terry Teene released a rock-and-roll novelty recording, “Curse of the Hearse”, loosely based on The Hearse Song lyrics, with a different melody.

This song was included in Finders Keepers, the 2014 horror film starring Jaime Pressly.

Wikipedia


Scary Stories to Tell in the Dark – book series

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Scary Stories to Tell in the Dark is the first of an American series of three children’s books written by Alvin Schwartz and illustrated by Stephen Gammell. The titles of the books are Scary Stories to Tell in the Dark (1981), More Scary Stories to Tell in the Dark (1984), and Scary Stories 3: More Tales to Chill Your Bones (1991).

Schwartz drew heavily from folklore and urban legends as the topic of his stories, researching extensively and spending more than a year on writing each book.

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The first volume was published in 1981, and the books have subsequently been collected in both a box set and a Scary Stories Treasury single volume. There is also an audiobook version of each book, read by George S. Irving.

Buy: Amazon.com

This series is listed as being the most challenged series of books from 1990–1999 and seventh most challenged from 2000–2009 by the American Library Association for its violence. The surreal, nightmarish illustrations contained within are also a frequently challenged component of the original books.

To celebrate the books’ 30th anniversary in 2011, Harper Collins re-released the books with new illustrations from Brett Helquist, the illustrator of A Series of Unfortunate Events. This caused severe criticism from fans of Gammell’s illustrations, as many cited that they are not as effective or as scary as the originals.

Wikipedia


The Bizarre Practice of Head Shrinking – article

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The bizarre practice of shrinking a human head has an extremely dark history. While numerous cultures have participated in the practice of headhunting, the Ecuadorian Amazon and the Peruvian Amazon Jivaro Indian Tribe did more than just headhunt: they shrunk the heads that they collected.

Before we get into the history of the one and only tribe known to shrink human heads, we will first discuss some fascinating information on the more prevalent practice known as “head hunting.”

A genuine shrunken head from Ecuador [between 1890 and 1930]

The Purpose of Head Hunting

Following battle, the victor removed the head of their adversary; the severed head serves as his trophy. Believe it or not, head hunting has been practiced throughout much of the world.

Here is an original portrait of a British army officer and artist who lived from 1843-1925. 

Horatio Gordon Robley shows off his extremely creepy collection of real preserved human heads

Mokomokai are the severed heads of the Māori people (the indigenous people of New Zealand). In the 1860s, Robley served in New Zealand during the New Zealand land wars. His collection consisted of 35-40 mokomokai. Despite his failed attempt to sell his collection to the New Zealand Government, he was able to sell most of it to the American Museum of Natural History.

Robley’s fascination with the art of tattooing lead him to write text on the subject of moko, Moko; or Maori Tattooing in 1896. Moko is facial tattoos of a Māori to designate their tribal identity. In pre-European Māori culture, moko was a sign of high social status. Generally it was men who had full facial moko. However, high-ranked women were known for having moko on their chin and lip.

The illustration shows a chief who is looking to trade a severed head for firearms and ammunition [1896]

In the early 19th century, with the arrival of Europeans in New Zealand, tribes would trade mokomokai with European sailors, traders and settlers in exchange for firearms and ammunition. In order to get more firearms for defense, tribes would often carry out raids on their neighbours.

They would acquire severed heads for trade. In desperation to trade as many mokomokai as possible, tribes tattooed their slaves and prisoners with worthless designs, instead of moko.

During this period, the severed heads were also considered commercial trade items. They were sold in Europe and America for high prices as they were considered curiosities and museum specimens.

The Mokomokai Preservation Process

  • The head is severed.
  • First, the brain and eyes are removed.
  • Orifices are sealed with flax fibre and gum.
  • The head is boiled or steamed in an oven.
  • The severed head is smoked over an open fire and dried in the hot sun for a few days.
  • Shark oil is used to treat the head. It has been used for hundreds of years as a folk remedy to promote the healing of wounds.
  • Finally, the severed heads were placed in carved boxes and were brought out solely for sacred ceremonies.

Mokomokai were also considered “trophies of war,” as they were often the severed heads of enemy chiefs who were killed in battle.

Others Who Practiced Headhunting

During the 3rd century B.C.E. (300 B.C.E. to 201 B.C.E.), the Chinese state of Qin’s soldiers collected the heads of their fallen adversaries. The collected heads were tied around the soldier’s waist and used to terrorize enemies during future battles.

Throughout the middle ages, the Celts of Europe also participated in the practice of head hunting. The triumphant Celtic warrior took the heads he collected during battle and nailed them to his walls to serve as a warning to others.

The Marind-anim tribe of New Guinea removed the heads of their opponents so they could control their spirits. They also consumed the flesh of their slain opponent.

<a href="https://commons.wikimedia.org/wiki/File:Chromesun_mississippian_priest_digital_painting.jpg" target="_blank">"Chromesun mississippian priest digital painting"</a> by <a href="https://en.wikipedia.org/wiki/User:Heironymous_Rowe" target="_blank">Heironymous Rowe</a> is licensed under <a href="https://creativecommons.org/licenses/by-sa/3.0/deed.en" target="_blank">CC BY-SA 3.0</a>

This is a digital painting of a priest from Mississippian culture (approximately 800 B.C.E. to 1600 B.C.E.). In addition to his ceremonial flint mace is a severed human head

The Jivaro Indians and Their Gruesome Practice

Despite the various forms of headhunting practiced around the world, The Jivaro Indians are the only documented group of headhunters that practiced the art of reducing the human head to the size of a man’s fist. 

https://wellcomeimages.org/indexplus/image/M0003687.html

An image comparing the size of a human skull and a shrunken head.

The Jivaroan Indian Tribe

The Jivaroan tribe actually consists of four sub-tribes: Achuar, Aguaruna, Huambisa and Shuar. All of these tribes reside in the Amazon Rainforest: The Peruvian and Ecuadorian Amazon Rainforest, to be exact. The Shuar tribe is notorious for practicing the art of shrinking human heads. Once the head is reduced, it is referred to as a ‘tsantsa.’ Transforming a head into a tsantsa was a deadly insult to the slain warrior as well as his entire tribe.  

The Tsantsa

According to the Shuar, the tsantsa possesses power. Initially, the severed head serves as a trophy indicating that the warrior had fulfilled his obligation to his ancestors by taking blood revenge. The tribe believed that the creation of the tsantsa pleased the spirits of their ancestors, who would bestow the tribe with fortune and a bountiful harvest. Accordingly, if the murders of their ancestors were not properly avenged, misfortune would fall upon the tribe. Interestingly, the tribe was much more concerned about the potential wrath of their ancestors than they were of the vindictive actions of an enemy ghost.

The Jivaro believe that by shrinking the head, the spirit (wakani) attached to it becomes trapped inside. Besides keeping the wakani from seeking revenge upon his/her killer, the wakani is also prevented from continuing on to the afterlife. The wakani’s inability to enter into the afterlife prevents it from harming the dead ancestors of the warrior.

The Jivaroan Tribe Considered a Fierce, War-Like Tribe

The Jivaroan Indian Tribe is the only tribe that was successful in its revolt against the Spanish Empire. The tribe endured the Incas, who were in search of gold, and challenged the audacity of the first conquistadors who attempted to disrupt their freedom. According to early Spanish chronicles, in 1599 all four of the Jivaroan sub-tribes came together and raided two settlements. The tribes apparently massacred 25,000 colonial Europeans.

The Logrono Massacre occurred because the Spanish governor of a colony in Ecuador demanded that the natives pay taxes on profits from their gold-trade.  

The anger of the Jivaro tribe was taken out on the visiting governor. Members of the tribe poured molten gold down his throat. This torture session ended quickly once his bowels burst. Directly thereafter, the Spaniards that remained were killed. However, while older women and children were slain, the younger women were considered useful. Therefore, the tribe captured these women and forced them to join their clan. After gathering the items they wanted to keep, the settlement was torched and burned to the ground.

Their reputation as savages who practiced head-shrinking served them well, discouraging outsiders from encroaching upon their territory, despite the fact that they resided in one of South America’s richest regions for gold deposits.  

Although the four Jivaroan Indian Tribes found great success joining together to oppose the Spanish, they never actually united. The tribes were continuously at war with each other. For the majority of the world, wars are fought to gain and/or control territory, for the Jivaro, wars were fought as a means of vengeance.

Shrinking a Human Head

Typically, decapitation occurred directly following the kill; however, there were occasions when the enemy was decapitated prior to death. The decapitation process involved cutting the head off below the neck. In addition, a section of the skin on the back and chest is removed. The victor then uses his woven head-band or a vine as a means to carry his prize. He passes his headband/vine through the neck and mouth of the head, tying it over his shoulder while making a hasty retreat.

Directly following the battle, the warriors gather at an agreed upon location near a river. It is at this point that the process of shrinking the head begins.

  • A slit running from the neck and up to the back of the head is created. This allows the warrior to peel the skin and hair away from the skull.
  • After removing the skin and hair, the skull is pulled free. Upon removing the skull, the warrior also removed the brain, tongue, throat, tonsils, eyes and nasal system. All of which were thrown into the river to serve as a gift to Pani, the anaconda.
  • The eyelids are sewn shut using a very fine fiber.
  • The warrior then closes the lips and skewers them with tiny wooden pegs. Eventually, these pegs are removed and dangling strings applied.
  • At this point, the head is placed in a sacred cooking jar or boiling pot to be simmered for approximately two hours. Timing the simmering is essential because if left simmering too long, the hair begins falling out.
  • Once the simmering process is complete, the skin is rubbery and dark. The head is now much smaller and is about 1/3 of its initial size.
  • The warrior turns the skin inside out.
  • He uses a knife to scrape off any remaining flesh.
  • The skin is then turned right side out.
  • Now, the warrior sews the slit in the back of the head together. Following this step, the feel of the head can be compared to an empty rubber glove.
  • Hot stones and sand are used for the final shrinking process. During this process, the interior of the head is seared and shrinks even further.
  • The warrior drops these hot stones one at a time through the opening of the neck.
  • He continuously rotates the stones inside the head to prevent scorching.
  • As the skin shrinks, rotating the stones becomes difficult.
  • At this point, hot sand is used in place of the stones.
  • This hot sand is able to enter areas that the stones were unable to reach (i.e., the nose and ears).
  • Once the head shrinking process is complete, hot stones are applied to areas of the exterior face to shape and seal its features.
  • The warrior burns off any excess hair.
  • Charcoal ash is rubbed on the face to darken it. The Jivaro also believed that this step insured that the soul of the enemy would remain trapped inside.
  • When the shrinking process is complete and the exterior facial features are addressed, the tsantsa is hung above a fire.
  • As it hangs above the fire, the tsantsa hardens and turns black.
  • The lips are dried by applying a heated machete to them.
  • Once the lips are dried, the pegs are removed and three palm shoots (chonta) are placed through them.
  • The lips are then fastened together using string.
  • The final steps of tsantsa creation are completed in the forest, just a few hours away from the village. The warrior creates a hole in the top of his tsantsa. He inserts a double Kumai through this hole and ties it to the palm shoots inside. Once this step is complete, he can wear his tsantsa around his neck.
  • The entire head shrinking process lasted for about a week. The warriors worked on their severed heads every day on the journey back to their village.

Real vs. Fake

If you are interested in purchasing a fake shrunken head, there are plenty online. Stores such as Amazon and eBay sell them for various prices. While some are made cheap, others are a bit more expensive because they are often made of goat skins, as well as other animal skins.

Is It Legal to Own a Genuine Shrunken Head?

Over the years, tsantsas have become a very popular item with collectors of oddities. Various sources on the web claim that it is illegal to import shrunken heads into the United States. However, some sources say that the trade is legal simply because they are considered antiques.

It is safe to say that if you are interested in acquiring a genuine ceremonial/tribal shrunken head, it is recommended you first contact a lawyer.

If you are interested in acquiring a tourist shrunken head, you won’t have to worry about an illegal purchase. The reason tourist heads are legal is because unlike the ceremonial/tribal heads, the person was not killed specifically for their head. Towards the end of the 19th century, tribes would participate in the shrinking process in order to supply tourists.

How To Tell If a Tsantsa is Real

It you look at the image of the real shrunken head in the subheading of this article titled “Shrinking a Human Head,” you can clearly see that it has eyebrows, eyelashes and even nose hairs.

However, before you conclude that the head is real, also check to see if it has pores and wrinkles. Even if you are 100% sure it is real, it is recommended that you first contact a professional. Also, be careful with shrunken heads that are made to look real (such as those with animal skins).

Kirin Johnson, Horrorpedia

This article is based upon Kirin’s previous article at OdditiesBizarre.com, plus additional information.

Related: The Four Skulls of Jonathan Drake | Shrunken Heads


Sole Survivor (1983)

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Sole Survivor is a 1983 American horror film written and directed by Thom Eberhardt (Night of the Comet), making his feature film debut. It stars Anita Skinner, Ken Johnson and Robin Davidson.

TV commercial producer Denise (Anita Skinner) emerges unscathed as the sole survivor of an airliner crash and feels as if she’s about to be caught by something.

 

Her doctor/boyfriend Brian (Ken Johnson) is convinced that she’s experiencing “survivor’s syndrome” in which sole survivors experience guilt and either commit suicide or put themselves in dangerous situations. Denise also receives some ambiguous warnings from psychic ex-actress Carla (Caren Larkey) who predicted the crash.

A series of strange sightings and encounters of zombie-like people escalates until it is apparent that something is trying to kill her as people around her start dying as well…

Her sceptical boyfriend thinks Denise is going crazy until he finds out that a number of recently dead people – including one that Denise claims attacked her – were found with all of the blood in their bodies drained into their legs as if they had died standing upright…

Buy: Amazon.com | Amazon.co.uk

Reviews:

“The scares are often kept simple, such as a well placed shadow falling at just the right time, before lurching into the third act assaults from the undead. The dead themselves are creepy, open-mouth, staring-contest winners that look like distant cousins of the old classic Carnival of Souls, which is another film that bears some resemblance.”Mike Phalin, Dread Central

“Hoping to avoid the Friday the 13th approach to dread that defined the ’80s, this eerie little effort hopes to transcend the times to deliver something different. Instead, it comes across as deadly…deadly DULL, that is.” Bill Gibron, DVD Talk

Sole Survivor is a supremely slow, obscenely eerie exercise in dread, one that manages to reference Rod Serling, Ingmar Bergman and George Romero, sometimes within the same scene. It’s an admittedly depressing picture, one in which we know our heroine is doomed and we can only watch, helpless, as every move she makes just slams another nail in her cosmically preordained coffin.” Chris Alexander, Coming Soon

Cast and characters:

  • Anita Skinner as Denise Watson
  • Kurt Johnson as Brian Richardson + Ghost Story; The Fan
  • Robin Davidson as Kristy Cutler
  • Caren Larkey as Karla Davis
  • Andrew Boyer as Blake
  • Daniel Cartwell as Lt. Patterson
  • Wendy Blake as Roxie
  • Steven Isbell as the Cabbie
  • William Snare as Artie
  • Clay Wilcox as Randy
  • Brinke Stevens as Jennifer
  • Leon Robinson as the Gang Leader

Release:

The film was given a limited release theatrically in the United States by International Film Marketing in December 1983. Vestron Video released it on VHS in 1985. The film was released on DVD in the United States by Code Red DVD in 2008.

Wikipedia | IMDb


Skinned Alive (1989)

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‘Unhinged! Insane! Totally out of control!’

Skinned Alive is a 1989 [released 1990] American comedy horror film written, co-edited and directed by John Killough (writer of Galaxy of the Dinosaurs). It stars Mary Jackson, Scott Spiegel (director of Intruder; co-writer of Evil Dead II) and Susan Rothacker.

The synth score was provided by producer J.R. Bookwalter (director of Mega Scorpions; The Sandman;  The Dead Next Door; et al).

A twisted wheelchair-bound mother, nicknamed Crawldaddy, and her insane offspring travel across the American mid-west in her van selling unique leather clothing. The leather is of a supposedly quality that most people have never seen and is proves popular until an alcoholic ex-cop discovers just where Crawladdy is getting her goods…

Reviews:

” …this is a gloriously entertaining slice of OTT low-budget violence (total cost: about $27,000), held up with some very competent gore effects. There isn’t a lot of story to speak of, but that’s because it’s a character piece – and what characters.” MJ Simpson, Cult films and the people who make them

” …suffers from a meandering pace and the fact the plot is really thin. Picks-up steam in the splatter-filled finale but is only a bearable time that’s got some fast-forwardable moments wedged between moments that are sometimes fun.” The Video Graveyard

“Like a tongue in cheek Chainsaw Massacre on wheels, the film both delivers in humour and pace as well as on a perverse and bloody front. The limitations of the low budget are far outweighed by the enthusiasm of the production and some bang on casting for the lead deranged family roles.” Sex Gore Mutants

Skinned Alive is a clumsily constructed horror comedy that features a talented cast doing their best with a weak script and a special effects crew that either didn’t have enough money or enough skill to stretch the money for decent gore effects. There are only two instances in the film that will have you squirming in your seat due to the splatter/ick factor…” Steve Miller, Movies You Should (Die Before You) See

J.R. Bookwalter as a Bible basher

“An attempt at Bad Taste by way of Mother’s Day, i.e. trashy and goofy slapstick splatter. Unfortunately it gets too dumb but the silly middle is bookended by some entertaining over-the-top gore.” The Worldwide Celluloid Massacre

Producer J.R. Bookwalter is interviewed in Brian Albright’s Regional Horror Films, 1958 – 1990 book

Buy: Amazon.com | Amazon.co.uk | Amazon.ca

Filming locations:

Akron and Mogadore, Ohio, USA

IMDb

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